Founded in Southern California in the summer of 2003
by singer/guitarist/songwriter Tom Cusimano and drummer Jimmy Olson, the
Riders are now a five piece band featuring Neil MacPherson on piano/organ,
Mike Clairmont on bass, and Devin Shea on violin. The Riders just wrapped
up their second full-length album entitled Crown City Sessions.
Crown City Sessions
Co-Produced with Guy Fletcher (Dire Straits,
Mark Knopfler & Emmylou Harris)
Featuring saxophonist Buddy Leach (George
Thorogood & the Destroyers)
Drawing from a variety of influences ranging from
Classical, Jazz, Blues, Rock, R&B, Country, and Bluegrass the Riders
create Rock'n'Roll music often compared to Bruce Springsteen & the E
Street Band, Dave Matthews Band, The Band, Bob Dylan, and Dire Straits.
It is in this versatility that the band finds its niche, allowing for
multiple interpretations of their own music as well as influential music.
This is evident on the Riders latest album entitled “Crown City
Sessions”. Crown City Sessions which was
co-produced with Guy Fletcher (Dire Straits, Mark Knopfler & Emmylou
Harris) shows the Riders dynamic range of influences and arrangements
starting from the album opener "Katie May I". This song kicks
off the album and exemplifies the implicit swagger of the band with its
influence and vibe obviously taken from The Band’s iconic tune “The
Weight”. “Katie May I” right away showcases the soloing abilities
with a ragtime style piano, bluesy violin, and soulful guitar solo all
making their introductions on the album. Following that is a more ethereal
tune entitled “Storylines”. This song shows the influence of Dire
Straits style guitar and Dave Matthews style violin work combined with a
thundering bridge Peter Gabriel would be proud of.
The Riders are used to performing covers from their years performing in
bars and clubs and Crown City Sessions features their first venture
into recording a few; Bob Dylan’s “Tonight I’ll Be Staying Here With
You” and The Faces “Ooh La La” (written by Ronnie Lane & Ron
Wood). It is with these two songs you hear the Riders ability to rearrange
instrumentation and add intensity while at the same time staying true to
the song itself and not sacrificing its overall story and theme created by
the writers.
After the finger-style acoustic guitar number entitled “Summer Rain”
the Riders turn up the volume a bit with the riff based and jam inspired
rockers “From Far Behind” and “The Minute”. “From Far Behind”
showcases the Riders with one of their more funk inspired grooves. This
song surprises you, as you would expect it from a veteran jazz-fusion
combo. With its extended Wurlitzer solo and bouncing bass line tying the
whole song together this song really drives the album into the next few
tracks. “The Minute” follows with a Rolling Stones inspired guitar
riff that would make Keith Richards proud – the whole song is clearly
influenced by late 60’s early 70’s Stones with it rocking guitar solo
to its falsetto harmonies on the chorus reminiscent of the Stones “Miss
You”. The album finishes out with a Springsteen-esq number entitled
“No Easy Way” featuring George Thorogood & the Destroyers
saxophonist Buddy Leach. This is a great driving song that sounds like a
lost track from somewhere between “Born To Run” and “Darkness on the
Edge of Town” sessions.
In total Crown City Sessions is 11 tracks of Rock’n’Roll
exploration during which the Riders stay true to their roots and influences.
This second full length album shows the band taking huge strides and exploring new territory
from their independent debut “200 Miles From Everywhere…” which was
produced by Richie Podolor (Three Dog Night, Steppenwolf, New Radicals)
Featured
on Paste
Magazine's2008
Sampler entitled "The Best Of What's Next"
“...comforting
sound of being in the middle of a road trip...the vocals capture the nostalgia
of the past, while the funky bass and power guitar ballads embody the optimism
of undiscovered possibilities." -
Relix Magazine
"If
you can imagineU2'sBonofronting
theE
Street Bandwith a
couple of theHeartbreakerssitting
in, you might have some idea of what the Riders sound like. Their brand of
rock is firmly rooted in Americana, but their excursions into other styles
reveal their versatility and sense of musical adventure...This is a band that
has distilled its influences into a very coherent and focused musical
statement."
-San
DiegoTroubadour
"'Coalinga'
is a classic bit of country-rock: catchy melody, perfect bridge, nice guitar
solos. It'd be a huge hit if radio still cared about breaking new
artists. 'Toby's Song' is also a hit in waiting ---- an uptempo little rocker...a
touch of Atlanta Rhythm Section or Widespread
Panic, and the rhythm section is as supple as a good jazz combo"
- NC
Times
"Great
lyrics, memorable melodies, and a classic rock sound you always loved and
always will. Roll down your windows, breathe in deep and sing out strong with
the Riders" -
WFDU - NJ
"Bruce
Springsteen+ Bob Dylan + Bruce Hornsby + The Band = The
Riders" -
From The Future Music "...this is a topnotch American-rock record" - Dan Bolles - Seven Days, VT
"the skill exhibited by all the players here is undeniable" - San Diego Citybeat
The
Riders will be performing an official showcase at the Folk Alliance’s 2010
Conference in Memphis, TN
In
2009 the Riders have supported and performed with classic rock hit-makers
America as well as supporting legendary guitaristRobin
Trower(ofProcol
Harum) at some of southernCalifornia's
most prestigious venues including Humphrey's by the Bay, Anthology,Del
Mar FairGrandstands,
andHouse
of BluesinSan
Diego.